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Cairo International University Theater Forum ‎Creativity and Beauty By Hossam Badrawi

Cairo International University Theater Forum
‎ Creativity and Beauty
By ‎
Hossam Badrawi
Our vision for education emphasizes the importance of developing young people‏’‏s ‎personalities, something that can only happen through engagement, cultural exchange, ‎art, and hobbies, coupled with the joy of learning and the guidance of mentors who ‎understand their roles. University theater is a meeting point for the arts, where young ‎people learn to adhere to strict rules while expressing creativity, reaching higher levels of ‎proficiency, respecting expertise, mastering language, public speaking, and interacting ‎with audiences. They practice the freedom of movement in all its beauty and elegance. ‎This is how education aligns with its true vision. We show that the goals of education can ‎be achieved without burdening the state, simply by permitting and providing a supportive ‎environment without interference, while offering expert mentorship in a flexible manner. All ‎this takes place with joy, sophistication, and smiles. This is what we achieve in the ‎University Theater Forum for young university students—a youth initiative organized and ‎prepared by their own minds and hands, even bearing some of the costs themselves. Oh, ‎the beauty of Egypt when you allow your youth the freedom to express and give them ‎space to succeed. We embark on a week of work, enjoyment, innovation, and creativity ‎starting now.‎
The forum this year is held under the slogan ‎‏“‏Create…Unleash,” from October 19 to 25, ‎‎2024. The esteemed artist Fouad El-Mohandes has been chosen as the symbol and icon ‎of the sixth edition, honoring his artistic contributions and the joy he brought us throughout ‎his career. This forum has attracted a large number of students from Egyptian, Arab, and ‎international universities around the world, with 26 countries from Europe, Latin America, ‎Africa, and most Arab countries participating this year.‎
The forum includes many events and competitions, with more than 765 participants from ‎various nationalities. Among them is a theatrical competition involving 11 plays from ‎universities in Romania, Jordan, Saudi Arabia, Morocco, France, Oman, Iraq, Syria, as ‎well as Cairo, Helwan, Ain Shams, Galala University, and the Academy of Arts in Egypt. ‎The judging panel includes Dr. Rania Fathallah (Egypt), Professor Philippe Giget (France), ‎director Nejar Hasib, artist Shamal Amin (Austria), and critic Asmaa Hegazy (Egypt). ‎There will also be six specialized international workshops on theater arts: acting, body ‎expression, African dance, theater directing, improvisation, and puppet making and ‎movement, alongside a workshop for people with special needs. A total of 130 students ‎from Egyptian and Arab universities will participate in these workshops.‎
A roundtable will be organized to discuss advancing theater arts at universities, featuring a ‎distinguished group of researchers and artists, with an expected participation of 157 ‎students from Egyptian, Arab, and international universities.‎
We hope the Cairo International University Theater Forum achieves all its objectives as it ‎has since the first edition in October 2018. University theater is the theater of beginnings ‎and one of the most important sources of art and culture in any society. It stands out for ‎its creativity, the enthusiasm of university students, and their determination to achieve ‎self-fulfillment. Its creative significance lies in being ever-renewing, diverse in ‎perspectives, and rich in knowledge, making it an endless source of innovation. The most ‎beautiful aspect of the forum is the cultural, artistic, and intellectual exchange between ‎people from around the world, blending the joy and positive energy of youth with the ‎beauty and expertise of theater arts. The friendships formed and the love nurtured ‎throughout this week in the heart of Egypt, the mother of the world, are priceless.‎
The young people of my country prove their ability to organize and prepare with ‎professionalism, even though all are volunteers. The forum also underscores Egypt‏’‏s ‎stability and its ability to host such international youth events, bringing significant media, ‎tourism, and artistic gains to the country.‎
The sixth edition is held under the auspices of the Prime Minister, with partial support from ‎the Ministry of Culture, the Ministry of Youth and Sports, and the Tourism Promotion ‎Authority. The General Authority for Cultural Palaces will host the opening and closing ‎ceremonies as well as many events and competitions. The youth will organize a tour for all ‎participating delegations to visit the Museum of Folk Arts and the Great Egyptian ‎Museum.‎
I still await greater attention from the state for this respectable youth effort, which ‎surpasses what many governments do for their countries. In truth, Minister of Culture ‎Ahmed Honored has lived up to my expectations in his support, as has Minister of Youth ‎and Sports Dr. Ashraf Sobhy.‎
The forum faces a challenge stemming from the tragic bus accident involving Galala ‎University, which resulted in the loss of several students‏’ ‏lives. This has emotionally ‎affected everyone, and the university may refrain from celebrations in solidarity. While I ‎understand, the university withdrawing its support for the forum just one day before the ‎delegations arrive has placed the youth organizers in a difficult position, requiring state ‎support in other ways.‎
Over 700 young men and women from around the world are participating in the forum, ‎representing their countries through theatrical performances and artistic expressions. I ‎hope Egyptian television channels will cover the forum‏’‏s events despite their focus on ‎government conferences. Youth from Morocco, Tunisia, Saudi Arabia, Lebanon, Jordan, ‎Oman, Syria, Iraq, Kuwait, Bahrain, and the UAE are amazing and inspiring. Our own ‎youth from Nubia, Alexandria, and Mansoura, who volunteer, are the pride of their ‎country. Students from Fayoum, Ain Shams, Mansoura, and Helwan universities are ‎offering high-quality art and performances that captivate the mind.‎
We need more support and attention to ensure the continuity of the forum and its ‎enlightening mission, which places no burden on the state but rather uplifts it. I salute and ‎raise my hat to the Egyptian Artists Foundation for Culture and Arts, a non-profit ‎organization led by the wonderful young director Amr Qabeel, who is a credit to any ‎institution he works with. The foundation is one of the civil society organizations dedicated ‎to culture and the arts, with his determined colleague, Samar Saeed, who is always ‎smiling and working effectively and efficiently.‎
I am honored to serve as a patron and spiritual father to these young people over the ‎years. They have always been, and continue to be, a source of inspiration, pride, and ‎sacrifice of their time and money to ensure the success of the forum and cover much of ‎the delegation‏’‏s costs. I am also honored to lead the forum‏’‏s supreme committee, which ‎includes director Amr Qabeel, the forum‏’‏s founder and president, Dr. Samar Saeed, the ‎forum‏’‏s secretary-general, the esteemed artist Tarek El-Dessouki, the creative writer ‎Fatima Naoot, and Dr. Amal Sadiq Afifi. They have regularly met under the ‎‏“‏Spreading ‎Culture and Knowledge Association,” which I am honored to lead. The organizing ‎committee is made up of 27 passionate young men and women, who have made great ‎voluntary efforts out of their love for theater and still have many dreams they are ‎determined to realize. Do they not deserve our applause and respect for their efforts to ‎restore Cairo to its historical status as the capital of the arts?‎
I reiterate my pride in Amr, Samar, and everyone who has volunteered and contributed to ‎this success and joy.‎
Egypt is in good hands with its youth…‎
And I still have hope.‎

About Dr. Hossam Badrawi

Dr. Hossam Badrawi
He is a politician, intellect, and prominent physician. He is the former head of the Gynecology Department, Faculty of Medicine Cairo University. He conducted his post graduate studies from 1979 till 1981 in the United States. He was elected as a member of the Egyptian Parliament and chairman of the Education and Scientific Research Committee in the Parliament from 2000 till 2005. As a politician, Dr. Hossam Badrawi was known for his independent stances. His integrity won the consensus of all people from various political trends. During the era of former president Hosni Mubarak he was called The Rationalist in the National Democratic Party NDP because his political calls and demands were consistent to a great extent with calls for political and democratic reform in Egypt. He was against extending the state of emergency and objected to the National Democratic Party's unilateral constitutional amendments during the January 25, 2011 revolution. He played a very important political role when he defended, from the very first beginning of the revolution, the demonstrators' right to call for their demands. He called on the government to listen and respond to their demands. Consequently and due to Dr. Badrawi's popularity, Mubarak appointed him as the NDP Secretary General thus replacing the members of the Bureau of the Commission. During that time, Dr. Badrawi expressed his political opinion to Mubarak that he had to step down. He had to resign from the party after 5 days of his appointment on February 10 when he declared his political disagreement with the political leadership in dealing with the demonstrators who called for handing the power to the Muslim Brotherhood. Therefore, from the very first moment his stance was clear by rejecting a religion-based state which he considered as aiming to limit the Egyptians down to one trend. He considered deposed president Mohamed Morsi's decision to bring back the People's Assembly as a reinforcement of the US-supported dictatorship. He was among the first to denounce the incursion of Morsi's authority over the judicial authority, condemning the Brotherhood militias' blockade of the Supreme Constitutional Court. Dr. Hossam supported the Tamarod movement in its beginning and he declared that toppling the Brotherhood was a must and a pressing risk that had to be taken few months prior to the June 30 revolution and confirmed that the army would support the legitimacy given by the people